Curtis, William

Original Hand Colored Print No. 987; Cortusa Matthioli, or Bear's Ear Sanicle

London, T. Curtis, 1809. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 5" x 8". The right edge is trimmed. Vibrant color with a few spots of foxing in the lower left corner. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19356

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 912; Campanula Macrophylla, or Large-Leaved Bell-Flower

London, T. Curtis, 1806. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 7 7/8". The right edge is trimmed. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19357

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 617; Ixia Capillaris

London, T. Curtis, 1803. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4.75" x 8". The right edge is trimmed. Pastel color with a few spots erosion in the paper at the right edge margin. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19360

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 557; Trifolium Spadiceum, or Bay Coloured Trefoil

London, T. Curtis, 1802. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4-" x 8". The right edge is trimmed. Vibrant color. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19361

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 504; Geranium Argenteum, or Silver Leav'd Crane's -Bill

London, W. Curtis, 1801. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The right edge is trimmed. Pastel color. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19362

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 499; Allium Moly, or Yellow Garlic

London, W. Curtis, 1800. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The right edge is trimmed. Vibrant color. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19363

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 505; Dianella Caerulea, or Blue Dianella

London, W. Curtis, 1801. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The right edge is trimmed. Vibrant color. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19364

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 431; Linum Quadrifolium, or Four-Leaved Flax

London, W Curtis, 1799. Original. This is a hand-colored copper plate engraving, beautifully composed T. Curtisand expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The right edge is trimmed. Vibrant color. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19365

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 398; Agrostemma Flos Jovis, or Umbel'd Rose Campion

London, W. Curtis, 1798. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 1/2" x 8". The right edge is trimmed. Vibrant color with a few very tiny spots near the margin. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19366

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Antique Prints

Curtis, William

Original Hand Colored Print No. 353; Mahernia Incisa, or Cut-Leav'd Mahernia

London, W. Curtis, 1796. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 5/8" x 7 7/8". The left edge is trimmed. Vibrant color. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19367

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Antique Prints

Curtis, William

Original Hand Colored Print No. 191; Primula Marginata, or Silver-Edged Primula

London, W. Curtis, 1792. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The left edge is trimmed. The plate mark and image are slightly skewed to the left. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19368

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Antique Prints

Curtis, William

Original Hand Colored Print No. 613; Morea Edulis, or Long-Leaved Morea

London, T. Curtis, 1803. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 5" x 8". The right edge is trimmed. Pastel shade. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19369

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 370 ; Housstonia Caerulea, or Blue-Flowered Houstonia

London, W. Curtis, 1809. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The left edge is trimmed. Vibrant color with a few tiny spots in the background. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19370

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Antique Prints

Curtis, William

Original Hand Colored Print No. 569; Gladiolus Watsonius, or Dwarf Watson's Corn-Flag

London, T. Curtis, 1802. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The right edge is trimmed. Vibrant color. Lower right corner has a light wrinkle outside the pate mark. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19371

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints

Curtis, William

Original Hand Colored Print No. 601; Watsonia Brevifolia, or Short-Leaved Watsonia

London, T. Curtis, 1802. Original. This is a hand-colored copper plate engraving, beautifully composed and expertly colored by hand. It measures approximately 5.5" x 9.25", with a plate mark of approximately 4 3/4" x 8". The right edge is trimmed. Vibrant color. Curtis' work was the first study of British flora, and artists contributing to the opus included James Sowerby, Sydenham Teak Edwards, Francis Sansom and William Kilburn. "The Botanical Magazine; or Flower-Garden Displayed, is an illustrated publication which began in 1787. The longest running botanical magazine, it is widely referred to by the subsequent name Curtis's Botanical Magazine. Each of the issues contains a description, in formal yet accessible language, and is renowned for featuring the work of two centuries of botanical illustrators. Many plants received their first publication on the pages, and the description given was enhanced by the keenly detailed illustrations. The first issue, in 1787, was begun by William Curtis, as both an illustrated gardening and botanical journal. Curtis was an apothecary and botanist who held a position at Kew Gardens, who had published the highly praised (but poorly sold) Flora Londinensis a few years before. The publication familiarized its readers with ornamental and exotic plants, which it presented in octavo format. Artists who had previously given over their flower paintings to an affluent audience, now saw their work published in a format accessible by a wider one. The illustrations were initially hand-coloured prints, taken from copper engravings and intended to complement the text. Identification by a general reader was given in exploded details, some of which were given as a section. This was accompanied by a page or two of text describing the plants properties, history, growth characteristics, and some common names for the species. The first volume's illustrations were mostly by Sydenham Edwards, a dispute with the editors saw his departure to start the rival The Botanical Register. The credit for the first plate (Iris persica) goes to James Sowerby, as did a dozen of Edwards contributions. The first thirty volumes used copper engraving to provide the plates, the hand colouring of these was performed by up to thirty people. An issue might have a circulation of 3000 copies, with 3 plates in each. As costs of production rose, and demand increased, results would be variable within a run. The later use of machine colouring would provide uniformity to the artists work, although the process could not give the same detail for many years. The magazine has been considered to be the premier journal for early botanical illustration." from Wikipedia. Ill.: Sydenham Teak Edwards. Very good .

Austin's Antiquarian BooksProfessional seller

Book number: 19372

Catalogue: Curtis Botanical Magazine

Keywords: Antique Print; Botanical Print; Flowers; Curtis; Botanical Magazine; Hand Colored Engraving; Decorative Print Sydenham Teak Edwards Antique Prints